- Exposition
Stane Jagodič, « Variations of Photography (1969-1980) » at Photon – Centre for Contemporary Photography
Variations of Photography (1969-1980) is an exhibition and overview of Stane Jagodič’s heterogeneous photographic practices and their creative variations such as photo-montage, photo-collage and photo-performance.
The exhibition will show a selection of the most significant works from his extensive body of work - amongst them also some of the previously unpublished works - which characterise his artistic activities in the expanded field of art photography; one of the strongest aspects of his body of work. Between 1969 and 1980 Jagodič created a number of works exploring and questioning the possibilities of the photographic medium within the field of visual art. Despite his seemingly formalistic approach, Jagodič’s works from this period were conceived on firm conceptual ground, reflecting the spirit... - Exposition
« Extended Realities: The Language of Photomontage » at the Rowan University Art Gallery
Extended Realities
From its earliest years, photographers have sought to overcome the limitations of making images from a single exposure, to adapt the picture-making strategies of printmaking, drawing, and painting, and to claim an equal place for photography among the fine arts. Photomontage — the combining of two or more photographic images into one — has been one strategy for achieving this goal. It was used in the 19th century by such practitioners as Oscar Gustave Rejlander and Henry Peach Robinson, and was popular in the early 20th century among the Dadaists and Surrealists as well as Russian Constructivist artists and Modernist photographers. It was the technique used by John Heartfield to skewer the Nazis in his many covers for the Arbeiter-Illustriete-Zeitung (The Workers Pictorial Newspaper)... - Exposition
Hajdu Jozsef, Stane Jagodic, Marc Ferrante - X-Ray Men
« Dans les faits, la radio ne montre qu'une image très partielle de vous-même. Elle réalise le miracle de la transparence en dévoilant votre anatomie, mais elle masque votre personne dans sa complexité : elle évacue complètement votre peau et tout ce qui constitue par ailleurs votre personne, votre vie, ce que vous éprouvez...
Comme si cette cartographie intime, à laquelle vous ne pouviez véritablement vous résoudre, semblait pourtant vous consoler d'une réalité qui vous dépasse...» Marc Ferrante.
...
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Variations of Photography (1969-1980) is an exhibition and overview of Stane Jagodič’s heterogeneous photographic practices and their creative variations such as photo-montage, photo-collage and photo-performance.
The exhibition will show a selection of the most significant works from his extensive body of work - amongst them also some of the previously unpublished works - which characterise his artistic activities in the expanded field of art photography; one of the strongest aspects of his body of work. Between 1969 and 1980 Jagodič created a number of works exploring and questioning the possibilities of the photographic medium within the field of visual art. Despite his seemingly formalistic approach, Jagodič’s works from this period were conceived on firm conceptual ground, reflecting the spirit...
Extended Realities
From its earliest years, photographers have sought to overcome the limitations of making images from a single exposure, to adapt the picture-making strategies of printmaking, drawing, and painting, and to claim an equal place for photography among the fine arts. Photomontage — the combining of two or more photographic images into one — has been one strategy for achieving this goal. It was used in the 19th century by such practitioners as Oscar Gustave Rejlander and Henry Peach Robinson, and was popular in the early 20th century among the Dadaists and Surrealists as well as Russian Constructivist artists and Modernist photographers. It was the technique used by John Heartfield to skewer the Nazis in his many covers for the Arbeiter-Illustriete-Zeitung (The Workers Pictorial Newspaper)...
« Dans les faits, la radio ne montre qu'une image très partielle de vous-même. Elle réalise le miracle de la transparence en dévoilant votre anatomie, mais elle masque votre personne dans sa complexité : elle évacue complètement votre peau et tout ce qui constitue par ailleurs votre personne, votre vie, ce que vous éprouvez...
Comme si cette cartographie intime, à laquelle vous ne pouviez véritablement vous résoudre, semblait pourtant vous consoler d'une réalité qui vous dépasse...» Marc Ferrante.
...